{"id":211,"date":"2019-07-22T13:57:47","date_gmt":"2019-07-22T11:57:47","guid":{"rendered":"http:\/\/oprotect.com\/blog\/?p=211"},"modified":"2019-07-30T13:31:38","modified_gmt":"2019-07-30T11:31:38","slug":"la-securite-dans-les-galeries-dart","status":"publish","type":"post","link":"https:\/\/www.oprotect.com\/blog\/la-securite-dans-les-galeries-dart\/","title":{"rendered":"La s\u00e9curit\u00e9 dans les galeries d\u2019art"},"content":{"rendered":"

Un \u0153uvre de Botero d\u2019une valeur de 425 000 euros a \u00e9t\u00e9 subtilis\u00e9 le 5 novembre 2017. Cette derni\u00e8re n\u2019est pas la seule victime des vols, fl\u00e9au qui menace toutes les galeries d\u2019art. Face \u00e0 ces probl\u00e8mes de s\u00e9curit\u00e9, comment ces \u00e9tablissements peuvent-ils se pr\u00e9munir mieux qu\u2019ils ne le font d\u00e9j\u00e0\u00a0?<\/p>\n

Des \u0153uvres d\u2019art de haute valeur<\/h2>\n

Le Botero vol\u00e9 dans cette galerie du VIIIe arrondissement de Paris est une pi\u00e8ce de haute valeur. En effet, c\u2019est un des huit exemplaires de la sculpture Maternity<\/em>, repr\u00e9sentant une femme, son enfant pos\u00e9 sur sa cuisse. La version vol\u00e9e vaut pas moins de 425 000 euros. Quelques mois auparavant, le 30 juillet, un Renoir avait \u00e9t\u00e9 vol\u00e9 alors qu\u2019il attendait d\u2019\u00eatre mis aux ench\u00e8res, le lendemain. Cette toile, Portrait d\u2019une jeune fille blonde<\/em>, vaut, selon les estimations, entre 25 000 et 30 000 euros. C\u2019\u00e9tait en effet la pi\u00e8ce-ma\u00eetresse de la vente.<\/p>\n

Et pourtant, pas de stratag\u00e8mes si grande envergure pour les voleurs<\/h2>\n

Etonnement, les galeries d\u2019art ne pr\u00e9sentent pas des moyens de s\u00e9curit\u00e9 si avanc\u00e9s pour prot\u00e9ger leurs \u0153uvres. La galerie Bartoux qui abritait le Botero, n’avait install\u00e9 que des cam\u00e9ras de s\u00e9curit\u00e9, mais ni portique ni agent de s\u00e9curit\u00e9 pour surveiller les allers-venues des clients. Le voleur n\u2019avait ainsi qu\u2019\u00e0 entrer, attendre que les employ\u00e9s de la galerie tournent le regard. Ensuite il devait se saisir de la statue et partir, Botero sous le bras. 57cm et 15kg d\u2019envol\u00e9s dans la nature. De la m\u00eame mani\u00e8re, le voleur n\u2019a eu qu\u2019\u00e0 d\u00e9crocher l\u2019\u0153uvre de Renoir de l\u2019h\u00f4tel des Ventes de Saint-Germain-en-Laye pour s\u2019en emparer et partir. Ici encore, pas de s\u00e9curit\u00e9 physique, uniquement des cam\u00e9ras de surveillance que les victimes peuvent analyser une fois le m\u00e9fait commis.<\/p>\n

Quelle protection possible pour les galeries d\u2019art\u00a0?<\/h2>\n

Comme on peut le voir au travers de ces deux exemples, les galeries d\u2019art ne mettent pas tout en \u0153uvre pour prot\u00e9ger les \u0153uvres qu\u2019elles exposent. La galerie Bartoux, peut-\u00eatre parce qu\u2019elle n\u2019expose pas que des \u0153uvres importantes, ne ressent pas le besoin d\u2019augmenter ses mesures de s\u00e9curit\u00e9. Le Renoir, quant \u00e0 lui, a s\u00fbrement \u00e9t\u00e9 victime d\u2019un rel\u00e2chement dans les efforts de protection entre son lieu d\u2019exposition habituel et la salle de vente.<\/p>\n

Quoi qu\u2019il en soit, les galeries d\u2019art ne sont pas condamn\u00e9es \u00e0 \u00eatre si vuln\u00e9rables. Elles peuvent par exemple faire appel \u00e0 des plateformes de r\u00e9servation d\u2019agent de s\u00e9curit\u00e9 en ligne, comme Oprotect.com<\/a>. Sur OProtect, elles peuvent choisir la dur\u00e9e de la protection comme elles le souhaitent. Ainsi, en cas de forte affluence, par exemple pour un vernissage, elles peuvent embaucher davantage d\u2019agents de s\u00e9curit\u00e9. Cette pr\u00e9sence est rassurante pour le galeriste, et elle est surtout dissuasive pour les voleurs potentiels.<\/p>\n","protected":false},"excerpt":{"rendered":"

Un \u0153uvre de Botero d\u2019une valeur de 425 000 euros a \u00e9t\u00e9 subtilis\u00e9 le 5 novembre 2017. Cette derni\u00e8re n\u2019est pas la seule victime des vols, fl\u00e9au qui menace toutes les galeries d\u2019art. Face \u00e0 ces probl\u00e8mes de s\u00e9curit\u00e9, comment ces \u00e9tablissements peuvent-ils se pr\u00e9munir mieux qu\u2019ils ne le font d\u00e9j\u00e0\u00a0? Des \u0153uvres d\u2019art de … <\/p>\n

Read More Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":643,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"yoast_head":"\nLa s\u00e9curit\u00e9 dans les galeries d\u2019art - Le blog Oprotect en toute s\u00e9curit\u00e9<\/title>\n<meta name=\"description\" content=\"Les galeries d'art restent vuln\u00e9rables aux vols, comme le montre le cas du Botero de 420 000 euros subtilis\u00e9 \u00e0 Paris. 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